Synopsis:
Never turn your back on the ocean…
2023. Another person has disappeared at Dead Man’s Cove in coastal Washington. Jaded from her job at the historic Irving Hotel, Zarya wanders to the scene of the tragedy. She has heard her Russian mother’s tales of rusalki—vengeful spirits that have died unclean deaths near a body of water—and never paid them much attention. But now, on a misty headland beside an abandoned lighthouse, Zarya locks eyes with the rusalka and is chosen to be the next victim. She must unearth the siren’s tragedy before Rusalka Week, a period in early summer when water-spirits roam freely on land.
1850. Josephine has just joined her newlywed husband in Washington, in the lighthouse erected by local businessman Hurley Irving. Marriage is not quite what she expected, and her melancholia grows over the course of the winter. The medic prescribes pregnancy as the antidote. What he doesn’t realize is how far Josephine is willing to go in order to become a mother.
The Gothic horror novel follows two protagonists, a modern-day misanthrope who fears intimacy and a woman in the Victorian era who thinks stealing love will make her whole. But how long can a person hide from love, and can love really be taken by force?
Favorite Lines:
“She decided right then and there that there are two kinds of loneliness: the kind borne of solitude, and the kind that swelters in a crowd full of people. In both cases, loneliness was the same—it emptied the soul until there was nothing left. No distractions could ever be enough to feel full again.”
“She could not have known what was about to happen. She could not have known that the ocean would break its promise to her. “
“Josephine seemed determined to never learn her lesson—that one cannot take love by force, that love must be freely given to be real.”
“Grief could be a funny thing. Sometimes, the biggest loss of all was for a person who had never even existed.”
My Opinion:
Ana Yudin’s A Song at Dead Man’s Cove is a chilling, atmospheric blend of contemporary mystery and gothic folklore, wrapped in lyrical prose and deep emotional undercurrents. Set in a sleepy coastal town plagued by a history of disappearances, shipwrecks, and lingering spirits, the novel expertly straddles two timelines—1850s and present-day—to tell a tale as haunting as the sea itself.
The story follows Zarya, a concierge at the historic Irving Hotel, who becomes entangled in a series of eerie events that link back to the tragic story of Josephine Byrne, a 19th-century woman whose love affair, mental anguish, and suicide cast a long shadow over the town. When modern-day women begin vanishing under similar circumstances, Zarya must uncover the dark legacy left behind—one connected to mythic sirens, sunken ships, and generational secrets.
What sets this book apart is its rich, evocative atmosphere. Yudin conjures foggy coves, crumbling lighthouses, and salt-bitten ghosts with the kind of vivid detail that lingers in your mind like brine in the air. Her depiction of grief, longing, and the desire for connection—across time and beyond death—adds layers of emotional complexity to what could have easily been a simple supernatural thriller.
As the threads between Zarya’s present and Josephine’s past tighten, the novel builds tension with finesse. It’s not just about what happened, but what it means. The sirens themselves are not one-note monsters, but spectral figures full of sadness and rage, blurring the line between victim and villain. This nuanced approach makes A Song at Dead Man’s Cove a standout in the genre.
The climax is both cinematic and intimate, offering moments of genuine horror as well as deep introspection. Themes of love, betrayal, womanhood, and the price of silence echo throughout, making the story feel as ancient and universal as the ocean itself.
If you love books with dual timelines, mythological influence, ghostly lore, and women reclaiming their power through untold stories, this book should absolutely be on your list.
Summary:
A Song at Dead Man’s Cove is a mesmerizing, multilayered ghost story that manages to be both otherworldly and deeply human. Ana Yudin delivers a narrative that is as much about ancestral trauma and unspoken truths as it is about sirens and shipwrecks. It’s a tale of women silenced by history—singing now through salt and shadow to be heard.
Highly recommended for fans of Silvia Moreno-Garcia, Erin Morgenstern, and readers who crave gothic atmosphere with a feminist edge. Happy reading!
Check out A Song at Dead Man’s Cove here!
