Jon Hammond with the great Clark Terry
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Jon Hammond with the great Clark Terry – Clark told me, Hammond…don’t believe what they tell you about ‘The Golden Years’ – The Golden Years Suck!
Clark Terry (born December 14, 1920)
en.wikipedia.org/wiki/Clark_Terry
is an American swing and bop trumpeter, a pioneer of the flugelhorn in jazz, educator, NEA Jazz Masters inductee, and recipient of the 2010 Grammy Lifetime Achieve Beyondment Award. Only four other trumpet players in history have ever received the Grammy Lifetime Achievement Award: Louis Armstrong (Clark’s old mentor), Miles Davis (whom Clark mentored), Dizzy Gillespie (who often described Clark as the greatest jazz trumpet player on earth) and Benny Carter. Clark Terry is one of the most prolific jazz musicians in history, having appeared on 905 known recording sessions, which makes him the most recorded trumpet player of all time. In comparison, Louis Armstrong performed on 620 sessions, Harry "Sweets" Edison on 563, and Dizzy Gillespie on 501.
He has played with Charlie Barnet (1947), Count Basie (1948–1951),[1] Duke Ellington (1951–1959)[1] and Quincy Jones (1960), and has recorded regularly both as a leader and sideman. In all, his career in jazz spans more than sixty years.
Terry was born in St. Louis, Missouri. He attended Vashon High School and began his professional career in the early 1940s playing, in local clubs. He served as a bandsman in the United States Navy during World War II.
Terry’s years with Basie and Ellington in the late 1940s and 1950s established him as a world-class jazz artist. Blending the St. Louis tone with contemporary styles, Terry’s sound influenced a generation. During this period, he took part in many of Ellington’s suites and acquired a reputation for his wide range of styles (from swing to hard bop), technical proficiency, and good humor. Terry exerted a positive influence on musicians like Miles Davis and Quincy Jones, both of whom acknowledge Clark’s influence during the early stages of their careers. Terry had informally taught Davis while they were still in St Louis.
After leaving Ellington, Clark’s international recognition soared when he accepted an offer from the National Broadcasting Company (NBC) to become its first African-American staff musician. He appeared for ten years on The Tonight Show as a member of The Tonight Show Band, first led by Skitch Henderson and later by Doc Severinsen, where his unique "mumbling" scat singing became famous when he scored a hit with "Mumbles." A persistent rumor is that Terry was a candidate to lead the band, but for racial skittishness on the part of NBC.
Terry continued to play with musicians such as J. J. Johnson and Oscar Peterson,[2] and led a group with Bob Brookmeyer that achieved popularity in the early 1960s. In the 1970s, Terry concentrated increasingly on the flugelhorn, which he plays with a full, ringing tone. In addition to his studio work and teaching at jazz workshops, Terry toured regularly in the 1980s with small groups (including Peterson’s) and performed as the leader of his Big B-A-D Band (formed about 1970). After financial difficulties forced him to break up the Big B-A-D Band, he performed bands such as the Unifour Jazz Ensemble. His humor and command of jazz trumpet styles are apparent in his "dialogues" with himself, on different instruments or on the same instrument, muted and unmuted. He has occasionally performed solos on a trumpet or flugelhorn mouthpiece.
From the 1970s through the 1990s, Clark performed at Carnegie Hall, Town Hall, and Lincoln Center, toured with the Newport Jazz All Stars and Jazz at the Philharmonic, and he was featured with Skitch Henderson’s New York Pops Orchestra. In 1998, Terry recorded George Gershwin’s "Let’s Call the Whole Thing Off" for the Red Hot Organization’s compilation album Red Hot + Rhapsody, a tribute to George Gershwin, which raised money for various charities devoted to increasing AIDS awareness and fighting the disease. In 2001, he again recorded for the Red Hot Organization with artist Amel Larrieux for the compilation album Red Hot + Indigo, a tribute to Duke Ellington.
Prompted early in his career by Dr. Billy Taylor, Clark and Milt Hinton bought instruments for and gave instruction to young hopefuls which planted the seed that became Jazz Mobile in Harlem. This venture tugged at Clark’s greatest love: involving youth in the perpetuation of jazz. Between global performances, Clark continues to share wholeheartedly his jazz expertise and encourage students, including up-and-coming young jazz trumpeter, Josh Shpak. Since 2000, Clark has hosted Clark Terry Jazz Festivals on land and sea, held his own jazz camps, and appeared in more than fifty jazz festivals on six continents.
His career as both leader and sideman with more than three hundred recordings demonstrates that he is one of the most prolific luminaries in jazz. Clark composed more than two hundred jazz songs and performed for seven U.S. Presidents.
He also has several recordings with major groups including the London Symphony Orchestra, the Dutch Metropole Orchestra, the Duke Ellington Orchestra and the Chicago Jazz Orchestra, hundreds of high school and college ensembles, his own duos, trios, quartets, quintets, sextets, octets, and two big bands: Clark Terry’s Big Bad Band and Clark Terry’s Young Titans of Jazz, with the likes of Branford Marsalis, Conrad Herwig, Brad Leali, Stephen Guerra, Adam Schroeder, Frank Greene and Tony Lujan. The Clark Terry Archive at William Paterson University in Wayne, New Jersey, contains instruments, tour posters, awards, original copies of over 70 big band arrangements, recordings and other memorabilia.
Terry was a long-time resident of Bayside, Queens, and Corona, Queens, New York.[3] He and his wife, Gwen, later moved to Haworth, New Jersey.[4] They currently reside in Pine Bluff, Arkansas.[5]
[edit]Awards and honors
Over 250 awards, medals and honors, including:
The 2010 Grammy Lifetime Achievement Award, two Grammy certificates, three Grammy nominations
The National Endowment for the Arts Jazz Master Award in 1991
Sixteen honorary doctorates
Keys to several cities
Jazz Ambassador for U.S. State Department tours in the Middle East and Africa
A knighthood in Germany
Charles E. Lutton Man of Music Award, presented by Phi Mu Alpha Sinfonia Fraternity in 1985. Terry was awareded honorary membership in the Fraternity by the Beta Zeta Chapter at the College of Emporia in 1968. He was also made an honorary member of the Iota Phi chapter of Kappa Kappa Psi, National Honorary Band Fraternity in 2011.
The French Order of Arts and Letters (2000)
A life-sized wax figure for the Black World History Museum in St. Louis
Inducted into the St. Louis Walk of Fame (1996)[6]
NARAS Present’s Merit Award (2005)
Trumpeter of the Year by the Jazz Journalists Association (2005)
Discography
Clark Terry performs with the Great Lakes Navy Band Jazz Ensemble
[edit]As leader
Clark Terry (EmArcy, 1955) – also released as Introducing Clark Terry and Swahili
Serenade to a Bus Seat (Riverside, 1957)
Out on a Limb with Clark Terry (Argo, 1957)
Duke with a Difference (Riverside, 1957)
In Orbit (Riverside, 1958) – with Thelonious Monk
Top and Bottom Brass (Riverside, 1959) with Don Butterfield
Paris (Swing, 1960)
Color Changes (Candid, 1960)
Everything’s Mellow (Prestige, 1961)
Mellow Moods (Prestige, 1961)
All American (Prestige, 1962)
Plays the Jazz Version of "All American" (Moodsville, 1962)
The Night Life (Mood, 1962)
Clark Terry & Bob Brookmeyer (Verve, 1962)
3 in Jazz (RCA, 1963)
More (Cameo, 1963)
Tread Ye Lightly (Cameo, 1963)
What Makes Sammy Swing (20th Century, 1963)
The Happy Horns of Clark Terry (Impulse!, 1964)
The Power of Positive Swinging (Mainstream, 1964)
Live 1964 (Emerald, 1964)
Quintet (Mainstream, 1964)
Tonight (Mainstream, 1964)
Clark Terry Tonight (Mainstream, 1964)
Oscar Peterson Trio Plus One Clark Terry (Mercury, 1964)
The Trumpet Kings Meet Joe Turner (Pablo, 1974) with Big Joe Turner, Dizzy Gillespie, Harry "Sweets" Edison and Roy Eldridge
Spanish Rice (Impulse!, 1966)
Gingerbread Men (Mainstream, 1966)
Mumbles (Mainstream, 1966)
Angyumaluma Bongliddleany Nannyany Awhan Yi! (Mainstream, 1966)
It’s What’s Happening – The Varitone Sound of CT’ (Impulse!, 1967)
Music in the Garden (Jazz Heritage, 1968)
At the Montreux Jazz Festival (Polydor, 1969)
Live on 57th Street (Big Bear, 1969)
Big B-A-D Band In Concert, Live 1970… (EToile, 1970)
Live at the Wichita Jazz Festival (Vanguard, 1974)
Clark Terry and His Jolly Giants (Vanguard, 1975)
Live at the Wichita Jazz Festival (Vanguard, 1975)
Oscar Peterson and Clark Terry (Pablo, 1975)
Oscar Peterson and the Trumpet Kings – Jousts (Pablo, 1975)
Clark Terry’s Big B-A-D Band Live at Buddy’s… (Vanguard, 1976)
Live at the Jazz House (Pausa, 1976)
Wham (BASF, 1976)
Squeeze Me (Chiaroscuro, 1976)
The Globetrotter (Vanguard, 1977)
Out of Nowhere (Bingow, 1978)
Brahms Lullabye (Amplitude, 1978)
Funk Dumplin’s (Matrix, 1978)
Clark After Dark (MPS, 1978)
Mother______! Mother______! (Pablo, 1979)
Ain’t Misbehavin’ (Pablo, 1979)
Live in Chicago, Vol. 1 (Monad, 1979)
Live in Chicago, Vol. 2 (Monad, 1979)
The Trumpet Summit Meets the Oscar Peterson Big 4 (1980)
Memories of Duke (Pablo/OJC, 1980)
Yes, the Blues (Pablo/OJC, 1981)
Jazz at the Philharmonic – Yoyogi National Stadium, Tokyo 1983: Return to Happiness (1983)
To Duke and Basie (Rhino, 1986)
Jive at Five (Enja, 1986)
Metropole Orchestra (Mons, 1988)
Portraits (Chesky, 1988) – with Don Friedman (p), Victor Gaskin (b) Lewis Nash (d)
The Clark Terry Spacemen (Chiaroscuro, 1989)
Locksmith Blues (Concord Jazz, 1989)
Having Fun (Delos, 1990)
Live at the Village Gate (Chesky, 1990)
Live at the Village Gate: Second Set (Chesky, 1990)
What a Wonderful World: For Lou (Red Baron, 1993)
Shades of Blues (Challenge, 1994)
Remember the Time (Mons, 1994)
With Pee Wee Claybrook & Swing Fever (D’ Note, 1995)
Top and Bottom Brass'[‘ (Chiaroscuro, 1995)
Reunion (D’Note, 1995)
Express (Reference, 1995)
Good Things in Life (Mons, 1996)
Ow (E.J.s) 1996)
The Alternate Blues (Analogue, 1996)
Ritter der Ronneburg, 1998 (Mons, 1998)
One on One (Chesky, 2000)
A Jazz Symphony (Centaur, 2000)
Herr Ober: Live at Birdland Neuburg (Nagel-Heyer, 2001)
Live on QE2 (Chiaroscuro, 2001)
Jazz Matinee (Hanssler, 2001)
The Hymn (Candid, 2001)
Clark Terry and His Orchestra Featuring Paul Gonsalves [1959] (Storyville, 2002)
Live in Concert (Image, 2002)
Flutin’ and Fluglin (Past Perfect, 2002)
Friendship (Columbia, 2002)
Live! At Buddy’s Place (Universe, 2003)
Live at Montmarte June 1975 (Storyville, 2003)
George Gershwin’s Porgy & Bess (A440 Music Group, 2004)
Live at Marian’s with the Terry’s Young Titan’s of Jazz (Chiaroscuro, 2005)
[edit]As sideman
Terry performed at the White House with singer Nnenna Freelon in 2006
With Clifford Brown
Jam Session (EmArcy, 1954) – with Maynard Ferguson
With Gary Burton
Who is Gary Burton? (RCA, 1962)
With Charlie Byrd
Byrd at the Gate (Riverside, 1963)
With Tadd Dameron
The Magic Touch (1962)
With Eddie "Lockjaw" Davis
Afro-Jaws (Riverside, 1960)
Trane Whistle (Prestige, 1960)
With Duke Ellington
Such Sweet Thunder (Columbia, 1957)
Ellington at Newport (Columbia, 1958)
With Art Farmer
Listen to Art Farmer and the Orchestra (Mercury, 1962)
With Dizzy Gillespie
Gillespiana (Verve, 1960)
Carnegie Hall Concert (Verve, 1961)
The Trumpet Kings Meet Joe Turner (Pablo, 1974) with Big Joe Turner, Roy Eldridge and Harry "Sweets" Edison
The Trumpet Summit Meets the Oscar Peterson Big 4 (Pablo, 1980) – with Freddie Hubbard and Oscar Peterson
The Alternate Blues (Pablo, 1980) – with Freddie Hubbard and Oscar Peterson
With Paul Gonsalves
Cookin’ (Argo, 1957)
With Johnny Griffin
White Gardenia (Riverside, 1961)
With Dave Grusin
Homage to Duke (1993)
With Lionel Hampton
You Better Know It!!! (Impulse!, 1965)
With Chico Hamilton
The Further Adventures of El Chico (Impulse!, 1966)
With Jimmy Heath
Really Big! (Riverside, 1960)
With Milt Jackson
Big Bags (Riverside, 1962)
For Someone I Love (Riverside, 1963)
Ray Brown / Milt Jackson with Ray Brown (Verve, 1965)
With Elvin Jones
Summit Meeting (Vanguard, 1976) with James Moody, Bunky Green and Roland Prince
With Sam Jones
Down Home (Riverside, 1962)
With Yusef Lateef
The Centaur and the Phoenix (Riverside, 1960)
With Mundell Lowe
Themes from Mr. Lucky, the Untouchables and Other TV Action Jazz (RCA Camden, 1960)
Satan in High Heels (soundtrack) (Charlie Parker, 1961)
With Junior Mance
The Soul of Hollywood (Jazzland, 1962)
With Gary McFarland
Tijuana Jazz (Impulse!, 1965)
With Charles Mingus
The Complete Town Hall Concert (Blue Note, 1962 [1994])
With Blue Mitchell
Smooth as the Wind (1961)
A Sure Thing (1962)
With the Modern Jazz Quartet
Jazz Dialogue (Atlantic, 1965)
With Mark Murphy
That’s How I Love the Blues! (Riverside, 1962)
With Oliver Nelson
Oliver Nelson Plays Michelle (Impulse!, 1966)
Happenings with Hank Jones (Impulse!, 1966)
The Spirit of ’67 with Pee Wee Russell (Impulse!, 1967)
With Chico O’Farrill
Nine Flags (Impulse!, 1966)
With Sonny Rollins
Brass & Trio (1958)
With Lalo Schifrin
New Fantasy (Verve, 1964)
Once a Thief and Other Themes (Verve, 1965)
With Billy Taylor
Taylor Made Jazz (Argo, 1959)
Kwamina (Mercury, 1961)
With Cecil Taylor
New York City R&B (1961)
With Teri Thornton
Devil May Care (Riverside, 1961)
With Randy Weston
Uhuru Afrika (Roulette, 1960)
With Jimmy Woode
The Colorful Strings of Jimmy Woode (Argo, 1957)
With Various artists
The Greatest Jazz Concert in the World (1967)
[edit]Bibliography
Let’s Talk Trumpet: From Legit to Jazz
Interpretation of the Jazz Language
Clark Terry’s System of Circular Breathing for Woodwind and Brass Instruments
TerryTunes, anthology of 60 original compositions (1st ed., 1972; 2nd ed. w/doodle-tonguing chapter, 2009)
Ellington, Duke. “Clark Terry,” chapter in Music is My Mistress (Garden City, NY: Doubleday, 1973): 229-230.
“Clark Terry – Jazz Ambassador: C.T.’s Diary” [cover portrait] Jazz Journal International 31 (May 6, 1978): 7-8.
Beach, Doug. “Clark Terry and the St. Louis Trumpet Sound,” Instrumentalist 45 (April 1991): 8-12.
Bernotas, Bob. “Clark Terry,” Jazz Player 1 (October–November 1994): 12-19.
LaBarbera, John. “Clark Terry: More Than ‘Mumbles’,” ITG Journal [International Trumpet Guild] 19, No. 2 (1994): 36-41.
Blumenthal, Bob. “Reflections on a Brilliant Career” [reprint of Jazz Times 25, No. 8], Jazz Educators Journal 29, No. 4 (1997): 30-33, 36-37.
Morgenstern, Dan. “Clark Terry” in Living With Jazz: A Reader (New York: Pantheon, 2004): 196-201. [Reprint of Down Beat 34 (June 1, 1967): 16-18.
Owens, Thomas. “Trumpeters: Clark Terry” in Bebop: The Music and the Players (New York: Oxford, 1995): 111-113.
“Jazz for the Record”[Clark Terry Archive at William Paterson University], New York Times (December 11, 2004).
“Clark: The Autobiography of Clark Terry” (University of California Press: 2011)
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